hate

Post-Jordanism: noun- The artistic (cultural?) movement which began in late 2011. Works within this deal with themes of existential crisis, identity crisis, posttraumatic stress disorder, the state of being broken, intrusive thoughts of (non)existent(?) memory, the morbid preoccupation with suicide, grief, uncontrollable emotion, and darkness as a simple abstract concept. ex. 1: "Kill me."

Tuesday, February 26, 2013

Tuesday, January 22, 2013

Rapture Condensed Credits, version 3

When OH GOD THE RAPTURE IS BURNING is finished, I'm going to go through each and every log and assemble a complete list of credits for each and every thing I need to give credit to. And that's gonna be a lot of work. But in the meantime, I've assembled a short version! And revised! And revised one more time.


Antagonists based off creatures from The Fear Mythos
The Slender Man is copyrighted to Victor Surge.
"Big Ones" homage to SCP-093
This particular story's portrayal of The Empty City homage to secretcity
Dogscape taken from the creepypasta of the same name
Various puzzles from Ciphers and Beacons homage to video games I grew up with
Some characters loosely based off or using visage of my friends, including but not limited to:
Daniel Finnegan, Eric Taylor, Catie DeBiaso, Thomas Minor, Michael Brown, Paul Botsford, Tropers/BobbyG, "alliterator," "CuteWithoutThe," "The Visitor," "LizardBite," "ExorcistGamer," "MesserTod," "LoveHopeRainbows," "Allanbag," "Foolamancer," "RedRockingHood," "Cadet," "Rappu," "TheSomnambulist," "Omega," "queenofinsanity6"
Any characters portraying real people do not even begin to represent the person's actual views, opinions, choices, personalities, or anything. I stress this.
Any locations portraying real places do not represent the location's actual state of being, landscape, map, political standpoint, or anything.
The thousands of songs and albums and bands portrayed in this story are completely copyrighted by their own labels and producers and writers. I do not claim ownership on a single thing here.
Promotional art by "Cadet," Catie "Fentzy" DeBiaso, "shapedlikeitself," "Rappu," and "The Visitor"
Promotional videos by Jordan "DJay32" Dooling and Eric "Bones" Taylor
Leitmotifs in promotional videos by Bound by the Moon
Written by Jordan "DJay32" Dooling
"August 14th, 2011," "August 15th, 2011," and "August 27th, 2011" have excerpts written by Catie "Fentzy" DeBiaso.
I give full permission for the story OH GOD THE RAPTURE IS BURNING to be used in any way, shape, or form the Fearbloggers see fit
TheFearMythos11/TheFearMythos12/TheFearMythos13

Saturday, January 19, 2013

This is a post

Hello, Blogger. So glad to see you, my friend. It's been a while.
I think I prefer Tumblr. But it's been far too long since I last made a personal post here, and I suppose I've been needing one.

I.. dunno.
I've been withdrawing lately. Becoming less social. I have a lot of reasons, but I can share very few. But let's not think about reasons just yet; for now, let's take a look at the effects. The 'whats' rather than the 'whys.'

I'm not talking much. To anyone. And I'm liking it. I'm feeling more and more empty as the days go by. I used to think this emptiness was a lack of emotion, but no, there's a definite emotion there. An emotion I've always internally associated with EAT. It's a sort of cold and logical one, empty and with only a passion for accuracy. But still a passion.
I've been writing in my journal a lot lately, whether inspired by Rapture or Rapture being based on writing in journals in the first place. And the main thing I write in it is some variation of or elaboration on "I am The Camper."

'Cause that's essentially true. EAT didn't come out of nowhere; I made her based on a complex series of emotions and fears I had and still have.
I am The Camper. I watch, I learn, I listen, I analyze, I wander, I 'eat,' but I will always feel an insatiable hunger.
That hunger is this emptiness I'm feeling. I don't know what I need, though I think passion is it. Which is why, in Rapture, Salmacis is opposed by The Colour of Blood, who (along with Hestia and The Iemaker) represents passion and its many facets. Though Salmacis, of course, is passionate during the course of the apocalypse-- precisely because of the apocalypse-- which is why that spoilery event happens at the end of September.
But now I'm rambling.

I don't really have anything important to say.
I have a lot of Rapture-related stuff I want to say, though most of it's just being excited for where things will go and I don't want to talk about that.
Just... hello! This is a post.

Friday, November 16, 2012

I Write Too Much

DCA: Seasons 1-6 (including both Halloween specials and DCA09): 200,000 words
DCA: The Green Journey: 200,000 words
Rapture first draft (up to August 19th): 186,000 words
Rapture: September 30th-October 3rd: 16,000 words
PLAN 31: CLOSE ENCOUNTER OF THE SOCK KIND: 18,868 words

Now if only I could easily check the word count to Jordan Eats and to Topography Genera so far.
It's interesting to consider that the complete DCA is around 400,000 words, though. Shit, that's around War and Peace length for some translations. Not even the finished Rapture will be that long, according to my speculations. Oh well, I'm fine with Rapture being shorter; it's already considerably better. xD

THUS ENDS TODAY'S EPISODE OF ME BEING BORED
CHECK BACK LATER WHEN I STOP BEING LAZY AND DECIDE TO FINISH MY ANALYSIS OF COLORS

Sunday, October 21, 2012

WHAT IF PROSPECT 1 WAS A SELKIE ALL ALONG

EXCEPT MALE
AND "BLOOM" IS BASICALLY EXPLAINING THIS TO US BY SHOWING HE HAS A POWERFUL LOVE FOR THE SEA
THE BLACK MASK WOULD BE HIS DISGUISED FORM HE USES ON THE LAND
IN WHICH HE FINDS THE "SHE" OF "TELOS" AND BECOMES HER HUSBAND
LET ME QUOTE WIKIPEDIA HERE

Stories concerning selkies are generally romantic tragedies. Sometimes the human will not know that their lover is a selkie, and wakes to find them gone. In other stories the human will hide the selkie's skin, thus preventing it from returning to its seal form. A selkie can only make contact with one human for a short amount of time before they must return to the sea. They are not able to make contact with that human again for seven years, unless the human is to steal their selkie's skin and hide it or burn it.

AND WHAT DID "SHE" DO IN "TELOS"
LIGHT SHIT ON FIRE
AND WHAT WAS ARGUABLY THE MOST FAMOUS BETWEEN THE BURIED AND ME SONG OFF OF ALASKA
"SELKIES: THE ENDLESS OBSESSION"
I
REST
MY
FUCKING
CASE

24-hour comic: SALMACIS, pages 7-12

Can you see my influence?
"I see too much."
You know too little.
Superior intellect.
"I am leaving now."
Owl


(Reads right-to-left)
You will be back.
All, always the same.
EAT EAT EAT EAT EAT EAT EAT EAT EAT EAT EAT EAT EAT EAT EAT
Everything the same.
Everything the same for the End of All Things.
EAT EAT EAT EAT EAT EAT EAT EAT EAT EAT EAT EAT EAT EAT EAT

I leave.

EAT EAT EAT EAT EAT EAT EAT EAT EAT EAT EAT EAT EAT EAT
Living in FEAR all your life is better than living without.
Now wake up.
Let me show you to the Door.


EAT has something to say to me.

(Reads right-to-left)
The people you pass on the street are curious, filled with wonder and regret.
They don't like you.
Your only company are the birds, watching you worm your way into a more comfortable form of life.
It's only a matter of time. Why should they like you?
Enjoy the peaceful musings of daytime television, your last company existing primarily on CNN.
Enjoy this life of wonder and imagination, for it will be torn down. (Between the Buried and Me lyric)

Everyone is a Camper.

(Lots and lots and lots of prog lyrics)
EAT EAT EAT EAT EAT EAT EAT EAT EAT EAT EAT
We are everywhere.
You run from us, you run from all.



(Upside-down: I need a new plan.
Escape the rat maze, I must jump down the orchard of the ordinary.
When can I free my mind?
Where will my dichotomy falter?
When can I be open?)
(Left side of page: Her ink stains my hands.
It has been a long time since I last spoke of this issue.
I need a new plan.)
(Right side of page: Her temptations question my perseverance.
What will become of my time?
What will become of my ideas?
Will my eyes remain fixated on the waves of my childhood dreams?
I need a new plan.)
(Bottom: We need devotion. The sweet relief is a must. (Both Between the Buried and Me lyrics)

I begin to wonder what I must do.

24-hour comic: EAT, pages 3-6

END

I go into school and find a disturbing sight in the hallway.

The blaring yellow sphere...
Trapped in the secret empty city.
ha
ha
ha
hs
hs
hs
hs
What world is this?
Am I awake?
Are you here to kill me?
Am I here to kill you?


DEATH END
You cannot progress.
I can.
"Then I will leave."
Leave?
But I am your home.


Supper's ready, boy. Time to EAT.
85 85 85 85 85 85 85
888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888
I'm the Night

I meet Salmacis.

Saturday, October 20, 2012

24-Hour Comic: FAF/EAT/SALMACIS/ONO page two

DEATH END
Pain
Self-doubt
"That's a fuckin' huge bird, Jesus."
A whole world awaits your passive judgement one cinderblock away.
Come inside if you wish to see red, white, and blue for who you truly are.
SO WHAT'LL YOU HAVE?

Turns out that bird stole my hat. Now it's time for me to go to school.